Monthly Archives: August 2018
Monthly Archives: August 2018
“Upgrade” is the latest feature from Leigh Whannell. Surprisingly despite being a prolific horror screenwriter and co-creating two of the biggest horror franchises of the last 15 years in “Saw” and “Insidious”, this is only his second directorial feature.
Unlike a lot of his output, this film is not straight up horror instead it mashes up sci-fi, action, horror and even a bit of comedy too. You might think sticking all these elements would make the movie messy but Whannell manages to get away with it for the most part. That said if you have seen some of Whannell’s other work you will not be surprised by the level of nastiness on display.
The film starts with a neat touch with the production credits and the title being readout by a synthetic female voiceover, represented visually by sound waves. The story takes place in a near-future where technology controls nearly all aspects of life. It is a vision of the future that is both futuristic and retro as it calls to mind the look of various sci-fi actioners from the late 80’s/early 90’s, the film being particularly heavily indebted to Robocop.
The focus of the plot is technophobe Grey Trace (Marshall-Green), who spends his days repairing vintage cars for a dwindling clientele while his wife Asha (Vallejo) works for a tech company. After an idyllic opening between husband and wife, you know that tragedy is just around the corner. Right on cue, she is murdered and he is left paralyzed by a gang after the two survive a car crash. His only hope to walk again is an advanced experimental computer chip called STEM. The chip is provided by sinister tech billionaire Eron Keen (Gilbertson) who just so happen to be one of Trace’s clientele.
The chip, of course, not only allows Trace to walk but gives him superhuman reflexes and fighting skills. Meaning he can take revenge on his wife’s killers. As premises go it is one that has been seen a thousand times before. However, this is a movie that is more about execution than anything else and it does execute its action beats very well. There are several balletic and brutal fight sequences throughout that are as thrilling as they are entertaining. In fact, all the action choreography is excellent including a very well staged car chase near the end. The cinematography is also a real highlight with there being several visually sumptuous shots throughout the movie.
Character-wise it is hard to invest in anyone other than Trace himself. Trace might be your typical action hero in some regards but Marshall-Green manages to give him a depth and humour too. The only real issue with the character being the way he flip-flops from being terrified of what is happening to his body to a wise-cracking hero and back a little schizophrenically. Plot-wise it is nothing to write home about either but the film does deliver some nice twists near the very end.
Directed by: Jon Turteltaub
Starring: Jason Statham, Bingbing Li, Rainn Wilson, Winston Chao, Ruby Rose
Running Time: 113mins
The Meg is an odd film in many regards. Odd in that both director Turteltaub and star Statham openly complained that the film hitting screens is a watered down version of the original cut. The film is also odd because this is a big-budget blockbuster taking inspiration from mock-buster merchants Asylum. As let’s face this is just a bigger budget, slightly better-acted version of movies like Mega Shark vs Giant Octopus. There is also a cynicism to the movie as, like many recent blockbusters, it tries to pander to the Chinese market. Despite these issues, there is still plenty of fun to be had here.
The movie opens with an underwater rescue mission that goes awry. Statham is traumatized by the event after losing his two best friends and thinking he saw a Megalodon which nobody believes him about. The movie then cuts to five years later when Statham is called out of retirement to save his ex-wife who is trapped in a sub on the bottom of the sea being menaced by, you guessed it, a Megalodon.
We meet the rest of the characters in an underwater research facility. This being a summer blockbuster most of the characters are fairly stock like the asshole billionaire, the wise-cracking black guy, the young child who is smarter than all the adults, etc. Some of the characters do manage to stand out however. Other than Statham the two standouts are father-daughter scientists Zhang (Winston Chao) and Suyin (Bingbing Li). Suyin, in particular, manages to cut above the standard love interest character she is so clearly meant to be.
In the end, this is clearly Statham’s film. He steals pretty much all of the best lines as well as the best action sequences. Not that there is anything wrong with that as Statham is in fine form. There is also a lot of fun to be had with seeing him going one on one with a giant shark. The shark itself is well-rendered and proves an imposing threat. The movies action set-pieces also can’t be faulted, particularly the Sanya bay set finale.
The Meg is a stupid movie and knows it. The film probably could have pushed the boat out more in terms of gore and mayhem but it is still fun in the end.