Tag Archives for " haunted house "
“Witch in The Window” is Andy Mitton’s first solo directorial feature after previously making “YellowBrickRoad” and “We Go On” with his screen collaborator Jesse Holland. Much like those films, this film has picked up plaudits on the festival circuit after premiering at Fantasia Fest in July. The movie also sees Mitton reunite with actor Alex Draper who is a long-time acquaintance of Mitton’s and one of the stars of “YellowBrickRoad.”
The plot focuses on Draper’s character divorced dad Simon who takes his twelve-year-old son Finn (Tacker) on a trip to fix up a house he has bought to flip in rural Vermont. However, it is not too long before they hear of the previous owner who died there Lydia who was believed to be a witch by her neighbours. Of course, as this is a horror movie soon after creepy things start to happen.
That said while there is no doubt this a horror movie this is not your straightforward haunted house tale. For one the film is as much a family drama as it is a horror. As the central narrative is about an absentee father trying to reconnect with his son, a plot that could easily tip into lazy sentimentally but instead is beautifully built up here. A good part of this is to do with the acting both from Draper and Tacker who both create rounded, believable characters. Even if Finn initially does come off as your stereotypical sullen adolescent.
The movie also wrong-foots the viewer as most of the jumps and scares happen in the daytime instead of at night. Talking of the jumps and scares these are sparsely peppered throughout the films short running time. Probably too sparsely for quite a few horror fans. Even fans of slow-burn horror may find themselves wanting a few more jumps to have been thrown into the mix. The jumps there are though are well-executed.
While the movie is low on jumps, it is high on atmosphere. There is a certain claustrophobia about the film as we are rarely away from the house and everything about the house is made to feel sinister. Also, Lydia (Carol Stanzione) is a creepily effective villain. There is also a sequence towards the end where the film really lets loose which is very well done, but part of you wishes there had been a tad more of that in what is otherwise an impressive movie.
When a movie comes along that is dubbed as the “scariest movie ever” it is often met with understandable eye rolls from horror fans as this is something that seems to happen once every couple of years and often these are a) Far from the scariest movie ever and b) Frequently not even that good. This why when I came to watch “Veronica” it was with such trepidation as it has been hyped up in this way ever since it hit the Toronto Film Festival last September (although it came out in its native Spain the month before). I did have some hope though, given the directorial pedigree of Paco Plaza who has already delivered one of the great horror movies of the 21st Century so far in the form of [REC].
The film is loosely based on the real story of Estefanía Gutiérrez Lázaro, a teenager, who died mysteriously mere months after playing with Ouija board back in the early 90’s. The thing that makes this case even more exceptional is the policeman on the case alleged to have witnessed paranormal events during his investigations and it is the only time in Spanish history such phenomena has been written into an official police report.
As mentioned the film only takes inspiration from this story and does not draw directly from it. Instead the film tells the story of Veronica (Sandra Escacena) who is one of four siblings, the other three of which she mainly looks after due to her mother’s long working hours. The trouble starts for her when she, along two friends, conducts a séance with a Ouija board, in the basement of their school’s basement. The impetus behind this being the hope she can make contact with her deceased father. The scene in which this unfold is incredibly effective as the girls choose to do this while the rest of the school are out looking at an eclipse and the cutting between the séance and the eclipse gives it that extra layer of foreboding.
Predictably the girls do not make contact with Veronica’s dad but do unleash evil forces that only our protagonist can see and soon seem to haunting her house as well as her dreams. None of which sound like anything horror fans have not seen many times before and it isn’t but some of the best horrors, or films in general, are the ones that can make old hat material seem fresh or give it their own particular spin and this is exactly what this movie does.
That said not everything totally works; for example there is a blinding smoking nun character who gives our protagonist cryptic doomy warnings throughout the movie. Now while she is an entertaining character it also, maybe, just that bit too over-ripe and OTT for a movie that seems to be generally aiming for an unsettling, grounded tone.
Aside from this OTT element and the odd genre clichés there is little to complain about this piece of cinema and what really makes the movie sing is characterisation. Sandra Escacena is excellent in the title role and the character herself seems fully formed and you quickly immerse yourself into her world. Also the relationship between her and her two sisters Lucia (Bruna González) and Irene (Claudia Placer) and brother Antonito (Ivan Chavero) is beautifully drawn. The believability of their sibling bond also makes it all the more heart-breaking and tense when the ghosts/ evil spirits look to be coming after not just Veronica but her brother and sisters too. To say anymore would be to spoil the film and we would not want that now so I shall say no more on the story. I will however say other things that really bring the movie to life is the interesting use of traditional creepy horror music and 80’s synth horror music, the excellent cinematography and strong directing.
In the end is this the “scariest movie ever?” No, no it is not but is this a movie that is an early contender for horror movie of the year? Yes it most certainly is.