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Directors: Alejandro Brugués, Joe Dante, Mick Garris, David Slade, Ryuhei Kitamura
Starring: Mickey Rourke, Richard Chamberlain, Elizabeth Reaser, Zarah Mahler, Sarah Withers, Eric Nelsen, Maurice Benard, Adam Godley, Patrick Wilson, Faly Rakotohavan, Annabeth Gish.
Run Time: 119 mins
"Nightmare Cinema" is the latest in a long line of horror anthology's to pop up in the last decade with the format becoming particularly popular again on the back of the V/H/S trilogy. It is an anthology that comes with a real pedigree as Mick Garris conceived it as a quasi-follow-up to his famed "Masters of Horror" series. The other directors involved here include the legendary Joe Dante (Gremlins), Ryūhei Kitamura (Midnight Meat Train), David Slade (30 Days of Night), and Alejandro Brugues (Juan of the Dead).
Garris himself provides the framing device as each story begins with a character inexplicably drawn into a seemingly abandoned run by a man simply known as "The Projectionist." A sinister figure played by Mickey Rourke. Rourke fans should not get too excited, though, as while heavily advertised, he is only on screen for a couple of scenes and seems to be mainly on autopilot.
After a quick intro, then we dive into our first story, "The Thing in the Woods," which may come from the least know of the bunch (Brugues) but is possibly the strongest of the segments. The story starts as a reasonably straightforward slasher parody, but halfway through takes an unexpected and inventive left turn. Honestly, if it had stayed as a slasher parody, it would have still been very entertaining as it effectively skewers a bunch of the genre clichés, and the cast is amusingly faux-wooden but the turn it takes, takes it to a different level.
A shame then that the next two up can't quite match that level. Not to say that they are rubbish as they are not. In fact, both Dante's "Mirare" and Kitamura's "Mashit" are solidly entertaining. The former is a tale of weird plastic surgery that trundles along a bit but does have a wonderfully slimy performance from 60's matinee idol Richard Chamberlain and a suitably nasty pay-off. The latter is an over-the-top tale of demonic possession at a Catholic girl’s school, which does little new with that particular well-worn territory but makes up for what it lacks in originality in attitude and gore. Even if you do wish, Kitamura had pushed the goofiness a little more.
In the fourth segment, "Welcome to Egress," we reach the peak of the opening story again as Slade delivers a surreal Lynchian tale set in a doctor's reception and shot in visually striking monochrome. It is difficult to say too much else about it without spoiling it, but it should be said that Elizabeth Reaser puts in an excellent performance as the possibly unhinged female lead.
After that, it is regrettable we end on the weakest of the bunch "The Dead," directed by Garris. This entry concerns a prodigal teen piano player Riley (Faly Rakotohavan), who, after a nearly deadly attack, ends up being able to see dead people. Admittedly while not terrible, this tale just feels flat with no real dramatic tension, little in the way of decent scares, and a sense that we have seen this all before and done better at that.
Overall: Like most horror anthologies, "Nightmare Cinema" is a mixed bag, but unlike most, it ends up in credit as out of the five stories; two are okay, two are excellent, and only one falls flat. All things considered a worthy addition in the horror anthology canon.
You can watch "Nightmare Cinema" on Shudder here
Given the current cultural obsession with the 1980s and the amount of 80s throwback horror movies that have come out in the last few years, it feels like there is no better time to look back on the decade that many (although should be said not all) consider as horror's finest.
This is precisely what this documentary sets out to do over its gargantuan 258-minute running time as it goes chronologically through each year of the decade, highlighting a number of the most notable horror films of each year. Director David Weiner tells this story through an impressive array of talking heads including iconic horror directors (John Carpenter, Joe Dante, Larry Cohen, Stuart Gordon etc.) and stars (Babara Crampton, Doug Bradley, Heather Langenkamp, Kane Hodder, Bill Moseley etc, etc.) as well as other luminaries from the horror business. Plus, several horror pundits culled from a host of horror magazines, websites, TV shows, and podcasts and, somewhat randomly, Slipknot lead singer, Corey Taylor.
The talking head format can often feel a bit rote nowadays, but when the roster of talking head is this impressive, then it is hard to quibble, and the vast majority of contributors are insightful and interesting. Some particular standouts are Tom Atkins, who provides the possible highlight of the documentary with his rendition of the Silver Shamrock theme from Halloween III and Larry Cohen, who undoubtedly has the funniest on-set stories.
Not only does the film tell the story of 80s horror by going through films from each year but also goes is into many side topics, including why we watch horror? The most iconic villains of the 80s, the role of special effects in horror, how the genre reflected the times, and much more. Ironically given the length of the documentary, it feels like none of these topics are given enough time to breathe fully, and each topic could have probably filled a documentary on their own. Despite this, each is interestingly dealt with by the assembled contributors. And listening to the likes of Crampton, Langenkamp, Caroline Williams (The Texas Chainsaw Massacre 2), Kelli Maroney (Night of the Comet), Lori Cardille (Day of The Dead) and Robbi Morgan (Friday the 13th) debate the role of women in horror and whether 80s horror nudity went too far makes for particularly fascinating viewing.
The undoubted attraction of the film, though, is the discussion of the decades' classics from The Shining to The Thing to Hellraiser to Re-Animator to Evil Dead II, etc. from many of the people who made them. Plus, we get all of the 80's entries in the Halloween, Friday the 13th (bar Part 5), and A Nightmare on Elm Street (bar Part 2) franchises. The film selection overall highlights the most iconic pictures of the decade, but sometimes the choices seem a little screwy or at least in part influenced by the talking heads they have brought together.
Of course, drawing up a definitive list is difficult, and there will always be quibbles over what's included and what's not. But there are some notable absentees such as "The Hitcher," "Street Trash," "Maniac Cop," "Bad Taste" and "Prince of Darkness" (Particularly odd given we have Carpenter talking about every other horror he made in the 80s) to name a few. Also, it would be fair to say this is a mostly US-centric look at the genre of this era. As all of the great Italian horrors of the 80s' is completely ignored, as are other European classics such as "Possession."
None of which discredits the project but simply highlights just how impossible a task it is to cover all of 80s horror and its cultural underpinnings in a single documentary. But as impossible as it may be, Weiner and his assembled cast of contributors have made a more than admirable attempt at it. And in the end, it mostly does what it sets out to do in providing us with quite probably the most comprehensive look at 80s horror to date.
Overall: A thoroughly entertaining documentary that provides a treasure trove of fun anecdotes and insightful analysis for hardened horror hounds. The only real downside is it would have been better as 10-part miniseries.
"In Search of Darkness" is available for pre-order here
You can also watch the trailer for it here